Eyes saturate religious, philosophical, and cultural imaginaries, from the “divine gaze” of sacred iconography to the disciplinary optics of modern surveillance. Japanese anime radicalizes this optic order: ocular motifs cease to signify mere sight and instead function as metaphysical, juridical, and posthuman dispositifs of power. Despite extensive work on anime’s spirituality, media ecologies, and posthuman embodiment, the persistent and elaborate deployment of ocular powers across major franchises remains undertheorized. This study addresses that gap by examining how eyes in Bleach: Thousand-Year Blood War, Demon Slayer: Kimetsu no Yaiba, and Naruto Shippuden encode sovereignty, charisma, and judgment through hybrid religious and posthuman grammars. Methodologically, the analysis combines diegetic analysis (abilities, limits, narrative costs), semiotic reading of nomenclature and visual design, and religion-and-media approaches attentive to mythic referents, eschatology, and ritualized seeing. Attention is also given to paratexts and reception, aligning with anime/media scholarship on media mix and database consumption. The implications of this exploration are twofold: first, anime must be recognized as a critical site where visual culture, religion, and posthuman theory converge; second, the study of ocular motifs illuminates how vision itself is reimagined as a primary medium of power, belief, and futurity in contemporary media ecologies.